This page holds announcements of events after the event ends, to preserve the historical record.
Sensing Composition/Composing Sensation is open to curious people of all backgrounds and abilities. The workshop may be of special interest to improvisers wishing to deepen or expand their practices, to choreographers looking for new compositional tools, to performers who want to add dimension to their stage presence, or to beginners interested in starting somewhere. Taught in English by Sherry Cohen.
Ort: LOT werkstaette fuer bewegte koerper
Weserstrasse 184
12047 Berlin 2HH 1 Etg.
U Rathous Neukoelln
624.85.57
DM 160,-/140,- erm.
Anmmeldeschluss: Montag, 17.1.2000
[added 4 Jan 2000]
| Location: | Martial Art Studio (beautiful space with a fantastic ambiance!) Tempelstr. 20, 3608 Thun Allmendingen (20 kilometers from Bern near the lake of Thun) |
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| Accomodation: | You can sleep in the dance studio (fee Fr. 5.- per night) (Please bring a matt and your sleeping bag.) |
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| Cost: | 140.- Fr. (including all meals) If you register before 3rd March, the fee will be only 120.- Fr. |
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| Registration: | Heidi Karlen, Eigenheimstr. 17, 3084 Wabern Tel: 031 / 961 52 47, heidi.karlen@bluewin.ch |
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| Deadline: | 7. April 2000 | |
| Programm: | Freitag 13.00 Uhr Beginn der Jam, ca. 19.00 Uhr Nachtessen Samstag Tanzen - Plaudern - Essen - Schlafen Sonntag noch mehr Jammen - Lachen - Tratschen Montag weiter geht's bis ca. 14.00 Uhr |
We are happy to hold the May Jam again at the beautiful Radcliffe Dance Studio (gym) at Radcliffe College in Cambridge. More information at http://ContactImprov.homestead.com/
[added 22 May 2000]
Mornings will be spent in the studio practicing our contact skills and developing our dancing scores for the afternoon. Afternoons and evenings will be spent outdoors in public spaces, wild and urban researching, performing, playing and documenting our experiences.
For more information please check our website at http://www.bodycartography.org/ For participants coming from outside SF, some housing is available. Intensive fee is $200 Interested participants should contact Olive asap at olivebee@earthlink.net
[added 20 April 2000]
This class prepares the body for spatially clear dancing, and the mind for rapid identification of the intentions that underlie movement choices. Initially training the skeleton to support movement through planes in space - we will ultimately build dances designed communicate meaning with utter efficiency.
Andrew Marcus has been focusing on possibilities of improvisational performance since 1985. Over the last 7 years he has developed Sensation and Form, a highly physical approach to dance composition and Technique for a Soft Body, a non-traditional approach to movement technique and alignment. Andrew has been an artist in residence at Movement Research in NY and is currently a faculty member of the Experimental Theatre Wing of NYU and The New School for Social Research.
[added March 11 2000]
Cost: $450 or $400 early bird (payment in full by Oct 2) prices in Australian dollars.
For Registration or further information please contact Wendy Smith ph +61 3 9534 1326 e ikiru@mira.net
This workshop is organised by State Of Flux.
Sat, Dec 16, 10:30-3 Fundamentals of Contact Improvisation
at the Freehold Theater, Oddfellows Building, Seattle
Contact Improvisation is a 28 year old artsport concerned with the possibilities of bodies in contact. An anarchist dance with no rules but with many years of accumulated and divergent experience, practices, and techniques. It is simultaneously a dance form and a physical practice. The Saturday workshop is an overview and integration of the fundamentals of contact improvisation presented both as an introduction for the beginner and a deepening into practice for the more experienced contacter -- an exploration of some of the more common elements of a contact dance
Sunday, December 17 10:30-4:30 Integrating contact and improvisation
at the Seattle Mime Theater, Oddfellows Building, Seattle
$30 ($40 for Saturday and Sunday)
Release approaches to dynamic and unpredictable partnering work in improvisation and composition. Integrating contact and partnering into a kinesthetically based improvisation. By considering the partner as just another part of the dynamic environment, we learn to stay present in our own dance while making contact. That is, we stay present with our own experience and intentions while acknowledging and working with the interplay of another body in the space or in contact. The ideas of manipulation, surrender, and resistance will help shape our interaction and focus our intentions. We will also work on the concept of passive sequencing of momentum through and between bodies as an avenue into ease and fluidity. Looking at dance as a form of physical theater, we explore contact in relation to kinesthesia, feeling, and narrative as well as the more abstract elements of perceived space, time, and shape. Previous ci and improvisation experience assumed
Contact 250 333 8608 or onionoak@hotmail.com for more info [added 27 Nov 2000]